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Antropologicheskij forum, 2016, no. 30
Galina Lapina University of Wisconsin Abstract: In 1931 Mezhrabpomfilm, a Soviet-German film studio financed by Comintern, came up with the idea of producing a propaganda feature film Black and White about racism in the United States and invited a group of Afro-Americans to take part in the production. The arrival of the film group that included Langston Hughes and other young intellectuals was widely discussed in the leftist American press and used by the Soviet propaganda apparatus to promote the image of the USSR as the defender of the oppressed minorities. The production was abruptly stopped by order of the Politburo, because the project had been found to be offensive by influential American professionals and businessmen participating in the industrialisation of the USSR and interested in establishing diplomatic relations between the two countries. Although Soviet authorities tried to hide the truth about the sudden abandonment of the project, several members of the group did not believe official explanations and were loud in their protests against the cancellation of the film, accusing party leadership of compromising with American imperialism and betraying a progressive ideology for the sake of pragmatic interests. Nevertheless, the majority of the members of the film group chose not to support the protest and agreed with the official version. Keywords: “Black and White”, racism, Soviet-American relations, communist propaganda, film, Langston Hughes. To cite: Lapina G., '“Chernye i belye”: istoriya neudavshegosya kinoproekta' [“Black and White”: A History of an Aborted Project], Antropologicheskij forum, 2016, no. 30, pp. 83–118. URL: http://anthropologie.kunstkamera.ru/files/pdf/030/lapina.pdf |
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